work list
Regreso al bosque oriental (2015). Flute duo
First performance: Dúo Mei.
Teatro Cervantes, Buenos Aires. 5/08/2015
Sine nobilitatis (Give my regards to Helmholtzstraße) (2015) for amplified tuning forks
First performance: Annette Krebs, Tomomi Adachi, Osvaldo Budón.
Ausland, Berlín, 3 de marzo de 2015.
Harmonic Studies for Solo Laptop (2015) live electronics
First performance: Annette Krebs, Tomomi Adachi, Osvaldo Budón.
Ausland, Berlín. March 3, 2015.
“...aunque los siglos no recordaron nada...”(2014). For three possible instrumental formations: a) Baroque Ensemble (Oboe, Violin, Violoncello, Harpsichord, Percussion); b) Contemporary Music Ensemble (Bass Flute, Clarinet, Violoncello, Piano, Percussion); c) Improvised music ensemble (variable instrumentation).
Comissioned by Festival Faithful.
First performance(s): Lautten Compagney (a), Norbotten NEO (b), Berlin Improvisationsensemble (c).
Festival Faithful II. RadialSystem V, Berlin. November 15, 2014.
Tablaturas espaciales (2013-2014). Fifty-five Scordatura Guitars/Eleven Performers.
Commissioned by Festival Mikromusik.
First Performance: Ensemble directed by Seth Josel.
Festival Mikromusik: St. Elisabeth Kirche, Berlin. September 12, 2014.
Unísonos imposibles (2012). Variable instrumental/vocal ensemble and Sound Sculpture. First Performance: Proyecto Aves Errantes, EUM Students and Guest Musicians. Museo Torres- García. Montevideo. November 26, 2012.
Curiyú/Carillón (2011-2012). Sound sculpture in collaboration with Uruguayan sculptor Micaela Perera.
Las escaleras (2010-2012). Chamber Ensemble. Written by request of Ensemble Aventure.
First Performance: Ensemble Aventure. Elisabeth Schneider Stiftung, Freiburg. November 8, 2012.
10G (2010-2011). 10 Guitars tuned in a non-octaviating microtonal pitch system.
First Performance: EUM Students and Guest Guitarists. Osvaldo Budón: Conductor.
Sala Zavala Muniz-Teatro Solís, Montevideo. November 21, 2011.
...de un yacimiento infinito de tiniebla (2009-2010). Piano in 1/16ths of tone, four hands. Written by invitation of Bruce Mather.
First Performance: Bruce Mather, Paul Helmer. Conservatoire de Musique de Montréal. January 27, 2011.
Hacia el azul/hacia el rojo (2010). Electroacoustic Music (8-track)
First Performance: Centro Municipal de Exposiciones Subte, Montevideo. December 3, 2010.
Más bien caté (2009). Piccolo & Bass Flute, Accordion, Harp, Violoncello.
Written by request of Ensemble Reflexion K. First Performance: Ensemble Reflexion K. NikolaiKirche, Eckernfoerde. July 31, 2009.
Strobo X (2008). One Percussionist.
First Performance: D’Arcy Gray. Lilian Piercey Concert Hall, Maritime Conservatory of Performing Arts. Halifax, NS. November 9, 2008.
Viejos caminos (2008). Vibraphone solo.
First Performance: D’Arcy Gray. Lilian Piercey Concert Hall, Maritime Conservatory of Performing Arts. Halifax, NS. November 9, 2008.
Melodías para el fin de Pietro Crespi (2007). Player Piano.
Written by invitation of Veronika Krausas for “The Player Piano Project”.
First Performance: Alfred Newman Concert Hall. Los Angeles, CA. February 12, 2008.
Mensajes para Lotario Wald (2005-2007). Mixed Chorus.
First Performance: Coral Tiabajt. Marcelo Rilla: Conductor. Teatro Florencio Sánchez. Montevideo. November 2, 2011.
...vale estropear la nada (2004-2006). Quartet of Amplified Guitars.
First Performance: Proyecto Aves Errantes. Sala Zitarrosa, Montevideo. October 2006.
Material, estructura, método (2006). Flutes, Percussion, Guitars, Voices, Electroacustic Tape and instruments designed by Lukas Kühne et al. (In collaboration with M. Aguiar, J. Asuaga, M. Cambón y M. Rilla.). First Performance: Proyecto Aves Errantes.
Museo Nacional de Artes Visuales. Montevideo, September 2006.
Fragmentos de una música que trae el viento (2004). Electroacoustic Music.
First performance: Foro Cultural Universitario-UNL. Santa Fe, June 2004.
Alrededor de una música ausente (2002-2003). Three Instrumental Groups and three Digital Signal Processing Stations.
Resonancias de una música lejana (2002). Flute Ensemble.
First performance: NMNM Flute Ensemble. Osvaldo Budón: Conductor.
Sala Vaz Ferreyra. Montevideo, November 13, 2002.
...yo, por ejemplo...(2001-2002). Flute Ensemble.
First performance: NMNM Flute Ensemble. Osvaldo Budón: Conductor.
Sala Vaz Ferreyra. Montevideo, November 13, 2002.
para cantar (2001). Female Voice and Live Electronics.
Written by request of Duo Sheppard/lanza. First Performance: Meg Sheppard/alcides lanza. CETC-Teatro Colón. Buenos Aires, July 27, 2001.
Esquisse d'une musique lointaine (2001). Trombone, 4 Flutes, Live Electronics (2 Computer Stations).
First Performance: GEMS Ensemble. Osvaldo Budón: Conductor. Pollack Hall. Montreal, March 18, 2001.
Transparency over a Northern Landscape (2000). Vibraphone, Double Bass, Female Voice, Wine Glasses, Horn, Whistling.
First performance: Ensemble Motion. Saint John Arts Center. Saint John-NB, May 2005.
...del pulso de lo inmóvil (1998). 2 Flutes, Eb Clarinet, Cello, Double Bass, Piano.
Commissioned by Beethoven-Haus. First Performance: Ensemble MusikFabrik NWD. Jurjen Hempel: Conductor. Kammermusiksaal, Beethoven-Haus. Bonn, June 11, 1999.
Fuyante (1996- rev. 1998). 4 Percussionists and Electroacoustic Tape.
First Performance: Timeworks Quartet. Pollack Hall. Montreal, March 1996.
Territorios (1995). 8 Percussionists and Electroacoustic Tape.
CD recording: Enhanced CD "Vox Machina" - Members of Timeworks - McGill Systems ISBN 7717-0537-9 Montreal, 1999.
Amorçage (1994). 6 Percussionists.
Written for the McGill Percussion Ensemble, as part of the Composer-in- Residence program.
First Performance: McGill Percussion Ensemble. Pierre Béluse: Conductor.
Pollack Hall. Montreal, March 10, 1995.
...de diez dedos danzando (1994). Midi Guitar and Interactive Computer System.
First Performance: Sean Terriah, Midi guitar/Osvaldo Budón, Computer System. Pollack Hall, Montreal, April 15, 1994.
...una de arena (1993/94). Symphony Orchestra.
Written for the McGill Symphony Orchestra as part of the Composer-in-Residence program.
First Performance: McGill Symphony Orchestra. Timothy Vernon: Conductor.
Pollack Hall. Montreal, December 2, 1994.
Wind... again... (1993). Electroacoustic Music
First Performance: Pollack Hall. Montreal, May 5, 1993.
Rewinds (1992-93). 9 Wind Instruments.
First Performance: McGill Chamber Winds. Osvaldo Budón: Conductor.
Pollack Hall. Montreal, March 11, 1993.
...para el trato con el desierto (1992). Electroacoustic Music.
First Performance: Lichtenstein Recital Hall. Montreal, April 27, 1992.
La anteúltima vuelta (1991-92). Violin, Trumpet, Clarinet.
First Performance: McGill Contemporary Music Ensemble. Andrew Martin: Conductor.
Pollack Hall, Montreal, April 16, 1992.
Corales, ostinatos, tiempos muertos (1991). Two Pianos (4 performers), Percussion, Flute.
Incidental music for Caminos de cornisa, theater play by Alejandro Finzi.
Circular (1990). Flute, Clarinet, Violoncello, Piano.
First Performance: Conjunto instrumental del Camping Musical Bariloche. Erik Oña: Conductor.
Sala Rautenstrauch - Llao Llao. February 28, 1991.
First performance: Dúo Mei.
Teatro Cervantes, Buenos Aires. 5/08/2015
Sine nobilitatis (Give my regards to Helmholtzstraße) (2015) for amplified tuning forks
First performance: Annette Krebs, Tomomi Adachi, Osvaldo Budón.
Ausland, Berlín, 3 de marzo de 2015.
Harmonic Studies for Solo Laptop (2015) live electronics
First performance: Annette Krebs, Tomomi Adachi, Osvaldo Budón.
Ausland, Berlín. March 3, 2015.
“...aunque los siglos no recordaron nada...”(2014). For three possible instrumental formations: a) Baroque Ensemble (Oboe, Violin, Violoncello, Harpsichord, Percussion); b) Contemporary Music Ensemble (Bass Flute, Clarinet, Violoncello, Piano, Percussion); c) Improvised music ensemble (variable instrumentation).
Comissioned by Festival Faithful.
First performance(s): Lautten Compagney (a), Norbotten NEO (b), Berlin Improvisationsensemble (c).
Festival Faithful II. RadialSystem V, Berlin. November 15, 2014.
Tablaturas espaciales (2013-2014). Fifty-five Scordatura Guitars/Eleven Performers.
Commissioned by Festival Mikromusik.
First Performance: Ensemble directed by Seth Josel.
Festival Mikromusik: St. Elisabeth Kirche, Berlin. September 12, 2014.
Unísonos imposibles (2012). Variable instrumental/vocal ensemble and Sound Sculpture. First Performance: Proyecto Aves Errantes, EUM Students and Guest Musicians. Museo Torres- García. Montevideo. November 26, 2012.
Curiyú/Carillón (2011-2012). Sound sculpture in collaboration with Uruguayan sculptor Micaela Perera.
Las escaleras (2010-2012). Chamber Ensemble. Written by request of Ensemble Aventure.
First Performance: Ensemble Aventure. Elisabeth Schneider Stiftung, Freiburg. November 8, 2012.
10G (2010-2011). 10 Guitars tuned in a non-octaviating microtonal pitch system.
First Performance: EUM Students and Guest Guitarists. Osvaldo Budón: Conductor.
Sala Zavala Muniz-Teatro Solís, Montevideo. November 21, 2011.
...de un yacimiento infinito de tiniebla (2009-2010). Piano in 1/16ths of tone, four hands. Written by invitation of Bruce Mather.
First Performance: Bruce Mather, Paul Helmer. Conservatoire de Musique de Montréal. January 27, 2011.
Hacia el azul/hacia el rojo (2010). Electroacoustic Music (8-track)
First Performance: Centro Municipal de Exposiciones Subte, Montevideo. December 3, 2010.
Más bien caté (2009). Piccolo & Bass Flute, Accordion, Harp, Violoncello.
Written by request of Ensemble Reflexion K. First Performance: Ensemble Reflexion K. NikolaiKirche, Eckernfoerde. July 31, 2009.
Strobo X (2008). One Percussionist.
First Performance: D’Arcy Gray. Lilian Piercey Concert Hall, Maritime Conservatory of Performing Arts. Halifax, NS. November 9, 2008.
Viejos caminos (2008). Vibraphone solo.
First Performance: D’Arcy Gray. Lilian Piercey Concert Hall, Maritime Conservatory of Performing Arts. Halifax, NS. November 9, 2008.
Melodías para el fin de Pietro Crespi (2007). Player Piano.
Written by invitation of Veronika Krausas for “The Player Piano Project”.
First Performance: Alfred Newman Concert Hall. Los Angeles, CA. February 12, 2008.
Mensajes para Lotario Wald (2005-2007). Mixed Chorus.
First Performance: Coral Tiabajt. Marcelo Rilla: Conductor. Teatro Florencio Sánchez. Montevideo. November 2, 2011.
...vale estropear la nada (2004-2006). Quartet of Amplified Guitars.
First Performance: Proyecto Aves Errantes. Sala Zitarrosa, Montevideo. October 2006.
Material, estructura, método (2006). Flutes, Percussion, Guitars, Voices, Electroacustic Tape and instruments designed by Lukas Kühne et al. (In collaboration with M. Aguiar, J. Asuaga, M. Cambón y M. Rilla.). First Performance: Proyecto Aves Errantes.
Museo Nacional de Artes Visuales. Montevideo, September 2006.
Fragmentos de una música que trae el viento (2004). Electroacoustic Music.
First performance: Foro Cultural Universitario-UNL. Santa Fe, June 2004.
Alrededor de una música ausente (2002-2003). Three Instrumental Groups and three Digital Signal Processing Stations.
Resonancias de una música lejana (2002). Flute Ensemble.
First performance: NMNM Flute Ensemble. Osvaldo Budón: Conductor.
Sala Vaz Ferreyra. Montevideo, November 13, 2002.
...yo, por ejemplo...(2001-2002). Flute Ensemble.
First performance: NMNM Flute Ensemble. Osvaldo Budón: Conductor.
Sala Vaz Ferreyra. Montevideo, November 13, 2002.
para cantar (2001). Female Voice and Live Electronics.
Written by request of Duo Sheppard/lanza. First Performance: Meg Sheppard/alcides lanza. CETC-Teatro Colón. Buenos Aires, July 27, 2001.
Esquisse d'une musique lointaine (2001). Trombone, 4 Flutes, Live Electronics (2 Computer Stations).
First Performance: GEMS Ensemble. Osvaldo Budón: Conductor. Pollack Hall. Montreal, March 18, 2001.
Transparency over a Northern Landscape (2000). Vibraphone, Double Bass, Female Voice, Wine Glasses, Horn, Whistling.
First performance: Ensemble Motion. Saint John Arts Center. Saint John-NB, May 2005.
...del pulso de lo inmóvil (1998). 2 Flutes, Eb Clarinet, Cello, Double Bass, Piano.
Commissioned by Beethoven-Haus. First Performance: Ensemble MusikFabrik NWD. Jurjen Hempel: Conductor. Kammermusiksaal, Beethoven-Haus. Bonn, June 11, 1999.
Fuyante (1996- rev. 1998). 4 Percussionists and Electroacoustic Tape.
First Performance: Timeworks Quartet. Pollack Hall. Montreal, March 1996.
Territorios (1995). 8 Percussionists and Electroacoustic Tape.
CD recording: Enhanced CD "Vox Machina" - Members of Timeworks - McGill Systems ISBN 7717-0537-9 Montreal, 1999.
Amorçage (1994). 6 Percussionists.
Written for the McGill Percussion Ensemble, as part of the Composer-in- Residence program.
First Performance: McGill Percussion Ensemble. Pierre Béluse: Conductor.
Pollack Hall. Montreal, March 10, 1995.
...de diez dedos danzando (1994). Midi Guitar and Interactive Computer System.
First Performance: Sean Terriah, Midi guitar/Osvaldo Budón, Computer System. Pollack Hall, Montreal, April 15, 1994.
...una de arena (1993/94). Symphony Orchestra.
Written for the McGill Symphony Orchestra as part of the Composer-in-Residence program.
First Performance: McGill Symphony Orchestra. Timothy Vernon: Conductor.
Pollack Hall. Montreal, December 2, 1994.
Wind... again... (1993). Electroacoustic Music
First Performance: Pollack Hall. Montreal, May 5, 1993.
Rewinds (1992-93). 9 Wind Instruments.
First Performance: McGill Chamber Winds. Osvaldo Budón: Conductor.
Pollack Hall. Montreal, March 11, 1993.
...para el trato con el desierto (1992). Electroacoustic Music.
First Performance: Lichtenstein Recital Hall. Montreal, April 27, 1992.
La anteúltima vuelta (1991-92). Violin, Trumpet, Clarinet.
First Performance: McGill Contemporary Music Ensemble. Andrew Martin: Conductor.
Pollack Hall, Montreal, April 16, 1992.
Corales, ostinatos, tiempos muertos (1991). Two Pianos (4 performers), Percussion, Flute.
Incidental music for Caminos de cornisa, theater play by Alejandro Finzi.
Circular (1990). Flute, Clarinet, Violoncello, Piano.
First Performance: Conjunto instrumental del Camping Musical Bariloche. Erik Oña: Conductor.
Sala Rautenstrauch - Llao Llao. February 28, 1991.